Pellicola Fujifilm 200 135/36 – pellicola negativa a colori ISO 200, 35mm, 36 pose

Fujifilm 200 135/36 is a 35mm colour negative film with ISO 200 sensitivity and 36 exposures per roll. Designed for general-purpose daylight and mixed-light shooting, this film produces balanced, natural colours and a fine grain structure suitable for everyday photography. Compatible with standard 35mm film cameras and processed as standard C-41 colour negative film, it is intended for portraits, travel snapshots and general outdoor scenes where moderate sensitivity and good colour rendition are required.

Advantages

The film offers consistent colour reproduction and moderate contrast, making skin tones and outdoor colours appear natural without strong saturation. ISO 200 provides a compromise between low grain and usable speed for varied lighting conditions, while the fine grain gives good detail for enlargements and scanning. The 36-exposure format helps capture extended outings without frequent reloading, and compatibility with standard C-41 processing ensures wide lab support and predictable results.

Suitable for

• Everyday daylight photography
• Portraits and group shots in natural light
• Travel, street and documentary photography
• Outdoor scenes with moderate lighting
• Scanning and making prints from negatives

Key specifications

• Format: 35mm (135)
• Sensitivity: ISO 200
• Number of exposures: 36 frames per roll
• Type: Colour negative film (for C-41 processing)
• Grain: Fine grain suitable for enlargements and scanning

How to use

Load the film into any standard 35mm (135) camera according to the camera manufacturer's instructions. Expose at ISO 200 or set the camera meter accordingly; for push or pull processing, consult a lab for exposure adjustment. After shooting, have the roll processed using standard C-41 colour negative chemistry at a photo lab or home lab capable of colour processing. Handle negatives by the edges and store cut strips in archival sleeves away from heat and humidity for long-term preservation.

Recommendations

For most outdoor and daylight situations, shoot at ISO 200 for optimal balance of grain and colour. If shooting in low light or indoors under artificial light, consider using a tripod, faster lens, or artificial lighting rather than pushing the film. When scanning negatives, use dust removal and colour correction tools to achieve neutral tones and preserve fine detail.